Trips in between times - limited edition of six paintings Trips to the Middle Ages, an oil painting on canvas is in the permanent exhibition of the Velorex museum. The second Velorex is the only one from this cycle of paintings for sale in the SOCHARIUM gallery. Remaining images with cars: Velorex, blue and red Beetle and yellow Porsche, are also no longer available for sale. NEZÁVAZNÁ POPTÁVKA/DOTAZ* POPTÁVKA DÍLA Jméno* Příjmení* Telefon E‑mail* Odeslat

ZUZANA ČÍŽKOVÁ ZUZANA KLÁRA ČÍŽKOVÁ international contemporary sculpor and painter MgA. Zuzana Čížková ZČK is a graduate of the Academy of Art, Architecture and Design in Prague, from the Department of Fine Arts, Kurt Gebauer's studio. She completed internships both in the Czech Republic and abroad, for example, in France with Vladimír Škoda, in Switzerland in the studio of Ludwig Stocker and in Prague in the studio of Olbram Zoubek. She has exhibited with these authors as well. Her works have been presented in many prestigious venues both in the Czech Republic and abroad, such as the Presidential Gallery in Brussels, the Grand Palais in Paris, the Basilica of Santa Croce in Gerusalemme in Rome, the Karolinum in Prague, the National Museum, and twice in the Royal Garden of Prague Castle. Zuzana has received several artistic awards, including the Prague-London Contemporary Art Prize, Inspiration by Good, and Wintontrain. She was selected to exhibit as the only artist from the Czech Republic at the 116th edition of Artistes Indépendants in Paris. In 2022, Zuzana Čížková's paintings were selected for the international exhibition Significant Works of Contemporary Slovak and Czech Art. Zuzana has already had twenty-one solo exhibitions in her portfolio, including a solo exhibition in Paris - Suzana Cizkova - La galerie Thuiller, and traveling exhibitions in the USA. Zuzana's sculptural free creations in public spaces include locations such as Prague - Prosek, Prague - Smíchov, the castle garden in Brandýs nad Labem, Poděbrady and many other cities. Zuzana collaborates with galleries in the Czech Republic and abroad. Czech television has made two documentaries and several short profiles about Zuzana. All the documents from Czech Television can be seen in the section "They filmed about the author." Zuzana Čížková is a visual artist working at the intersection of painting, sculpture, and public space. In her work, she develops a unified visual language based on organic lines, gesture, and the principle of flow, connecting inner experiences with landscape and space. Her work explores the relationship between two forms—their tension, closeness, and mutual transformation over time and space. Her pieces are shown internationally and are part of both private and public collections in Europe and the USA. In public spaces, she creates original sculptural works that actively engage with the viewer. DARLINGS-GUARDIANS OF BALANCE, from the series Works We Are Not Robots, 2026 A tour of sculptures and paintings by Zuzana Čížková in public spaces START NOW CURRENTLY Invitations to exhibitions sculpture unveilinga and other projects START NOW MORE ABOUT THE AUTHOR MEDIA REALIZACE VE VEŘEJNÉM PROSTORU MALBA MENŠÍ SOCHY PRÁCE NA PAPÍŘE MORE FROM THE GALLERY REQUEST A QUOTE/NO-OBLIGATION CONSULTATION ZUZANA ČÍŽKOVÁ ZČK ZUZANA KLÁRA ČÍŽKOVÁ

Obrazy, sochy, litografie, kresby různých velikostí a materiálů. Malby olejem a akrylem na plátna, sochy kamenné, cementové, kovové, z bronzu, sádry, epoxidu, laminátu, z elektro materiálu a nejčastěji bronzové. ZUZANA ČÍŽKOVÁ ZČK The work of Zuzana Čížková is part of both public and private collections in the Czech Republic and abroad, and it has long developed in dialogue with the international gallery environment, especially in the USA, Germany, and France . Her works are also presented through the Artsy platform and are registered with GESTOR – the copyright protection association. The artist's creation has been developing for more than two decades as a continuous intellectual space, in which sculpture, painting, and objects intertwine. The central theme is communication — not only as an exchange of information, but as a fundamental principle of existence: the relationship between humans, nature, and that which transcends individual experience. The symbiosis here is not an idealized state, but a dynamic field of tension, in which the consciousness of human individuality collides with the order of the natural world. The author works systematically in thematic cycles that articulate the question of spirituality in the contemporary context through various visual languages. In her conception, faith does not appear as a closed system, but as an open process — as a movement between the body, experience, and transcendence. This movement is often shaped by confrontation with limits, by surpassing them, and by the necessity of repeated beginnings, which is reflected in the internal structure of individual works. Public space plays an important role in the author's practice. Sculptural realizations are not created as decorative interventions, but as situations — open communication points that actively engage with the viewer . The works are designed to evoke interaction, questions, and unexpected forms of participation, thus becoming part of a living social environment. Material is the carrier of meaning in this creation. The artist primarily works with bronze and her own authorial cement mixture developed for outdoor installations, which allows for the long-term existence of works in changing conditions. The painting work, executed in both oil and acrylic, is understood as a comprehensive whole, where the painting itself and its adjustment form an indivisible unit. Zuzana Čížková's work can thus be understood as a continuous exploration of relationships — between humans and their environment, between matter and meaning, between the present and that which surpasses it. This gallery presents the individual cycles as a map of this process. She paints paintings in oil and acrylic and they are custom-adjusted at the framing workshop Ant. Křížek (https://www.antkrizek.cz ), where a frame with an original composition of individual moldings and colors is created for each painting. Zuzana paints on some of the frames. In this way, the paintings, together with their individual adjustments, become a comprehensive work of art. Paintings can also be ordered as an authorial print on canvas stretched on a wooden blind frame, but only in a limited edition, which is a maximum of 3 to 5 pieces of a single work. CONTACT US Sculptural realization of free creation in Prague 9-Madonna's Secret Sculptural realization of free creation in Prague 9-Madonna's Secret PRAGUE 5, Holečkova street Sculptural realization of free creation in the garden of the castle in Brandýs nad Labem-Milenka of Rudolf II. Cycle: We are not robots Cycle of paintings Romantic Landscape of the 21st Century Cyklus: WE ARE NOT ROBOTS Sculptural realization of free creation in Prague 9-Madonna's Secret Cycle of paintings Trips N Limited edition of drawings Trips N (2016/17) Chamber Sculptures 1 Cycle of images-sign language and hands Other sculptural works for the exterior Free drawing and illustration Cycle of works Electricity

other sculptural realizations sorry, website they are not finished yet Load More

THE MISTRESS OF RUDOLPH II. castle garden of the castle in Brandýs above the labrum

Cycle: ROMANTIC LANDSCAPE OF THE 21ST CENTURY These paintings, paintings in oil or acrylic on canvas, Zuzana Čížková started painting in 2002 and has been very intensively devoted to this cycle of paintings since 2011 and is still devoted to it. The paintings have been intensively exhibited and most of them are already in private collections. They also appeared as one of the main motifs of a documentary film created by Czech Television and director Hana Pinkavová: Zuzana Čížková sculptor and painter

cycle of works SYMBIOSIS/ELECTROVIRUS limited edition from the years: 2003-2017 sorry, the website is not finished yet She realized and exhibited objects made of electrical materials in the form of objects and posters in Czech Republic and abroad (Vyšehrad in Prague, Rome) in the years 2005 to 2016. These works are no longer available or are a non-saleable part of the author's depository. A monumental acrylic painting on canvas, glued on a wooden board and lowered into a structure with the possibility of placing the object in the space, with the name KAREL IV TODAY/KAREL IV DNES. This painting object was realized by Čížková for the exhibition at Prague Castle, under the same name (KAREL IV TODAY). With this work, the author reflected on the present time, when most of the contemporary and historical personalities, many people search for in search engines using tablets and similar devices. At the poster titled 17 moved in the social and cultural theme to her family, to her beloved mother, with whom she has a good relationship and she fit her as her closest person into the role of an electro creature that changes our perception and attitudes not only towards ourselves, but also towards our nearest and dearest surroundings. Between 2006 and 2023, Elektrokříže traveled to many exhibitions in the Czech Republic and abroad in the form of objects and prints.

Cycle: WE ARE NOT ROBOTS The author created the first paintings on the motifs of "robots" as oil paintings on canvas and plates as early as 1998, where her friends from the Brandy motorcycle club were her models for these figurative paintings. Two years later, these paintings were part of her first solo exhibition Untraditionally Classical (year 2000), in the Čelákovice Municipal Museum. After a long break, she returned to this motif around 2007, when in her paintings she began to more deeply address issues of symbiosis with nature, but also the messages of church representatives and the power of faith for individuals. And in recent years, most often life goals and the ways to achieve them, of a person living in modern times. But also the power and indispensable importance of emotions. In a nutshell. We live without symbiosis with Mother Nature, without faith in ourselves and in a time where it is modern to correct natural feelings with reason. And that will backfire on us, because we are not robots:)) This cycle of paintings was presented at exhibitions in the Czech Republic and abroad and is one of the main themes of the documentary produced by Czech Television directed by Hana Pinkavová: Zuzana Čížková sculptor and painter.

PERFORMANCE sorry, the website is not finished yet

komorní plastiky z cyklu děl BYTOSTI Pouze ukázky z limitovaná edice 2002-2005 Heads and portraits have been created by Zuzana Čížková since 2003. They were the first sculptures she created in her special sculptural cement mixture, which she had calculated at the Maltovin Research Institute in Radotín. They became the main part of the exhibition in Vyšehrad's Gorlica and exposes them to the present. These heads were also regularly exhibited at collective exhibitions of the art association LUGHNASADH, where Zuzana was invited by Olbram Zoubek and Josef Ryzec and where the author exhibited every year for many years. The Roarer's bronze head was exhibited as a central work at the Salon Artistes Independants in Paris in 2005. But a few years later, ŘVÁČ MAROS was exhibited at one of the LUGHNASADH exhibitions, where she regularly exhibited together with the sculptors Zoubek, Oriešek, or the painter and organizer of exhibitions and associations, J. Ryzce. The Waterman sculpture from the HEAD series by Čížková was created in Olbram Zoubek's studio from his cement-osmium mixture and later became the most popular and most discussed work among by Parisian surrealists and of course it was also exhibited at LUGHNASADHU and many other important exhibitions. Currently, the remaining cement heads are unsaleable and the author offers bronze and cement casts of statues, marked with cast number (in total a maximum of 3 to 5 castings from one piece). These statues have appeared in all the television medallions and documentaries, which Czech Television created about the author. The statue Fighting for lower taxes received and receives a lot of attention:) From 2005. It is still Unsalable. The author has not been doing commissioned portraits for the past few years. The heads of various modeling and stylizations are imprints of beings that significantly influenced the author's life journeys. With some statues, you can easily tell who they are at first glance. Others have a stronger stylization, influenced by circumstances of meeting and experiences with a specific person, personality. Photos in the gallery are sorted from top to bottom below the newest statues to the oldest (bottom).

sorry, the website is not finished yet HANDS, BIRTH, E. KANT Chamber sculptures from 2002-2023 CHAMBER PLASTICS1

CHOICE